Categories
Lists Reviews Thoughts

The Best Films of 2006

Babel (Dir. Alejandro Gonzalez Innarritu): Although this bears many structural similarities to Alejandro Gonzalez Innarritu’s other films (Amores Perros and 21 Grams) with its interwoven narratives of despair, this was his most ambitious film yet. Exploring different characters connected by a single gunshot over 3 different continents, it is a moving and highly accomplished piece of work. Brad Pitt, Cate Blanchett and Gael García Bernal all turn in fine performances but look out for newcomer Rinko Kikuchi who is startling as a deaf Japanese teenager.

Brick (Dir. Rian Johnson): Another first time film maker to catch the eye this year was Rian Johnson whose debut feature got a US and UK release a year after making waves at Sundance in January 2005. A film noir set against the back drop of a Californian high school, it was a film that could easily have looked silly but thanks to some assured writing, acting and directing it is a gripping and captivating film. Made for just $450,000 it puts a lot of the UK lottery funded garbage to shame.

Children of Men (Dir. Alfonso Cuaron): The future has rarely looked as plausibly bleak as it does in director Alfonso Cuaron’s vision of Britain in 2027. Although the acting from the likes of Clive Owen and Michael Caine was excellent, it was the virtuoso technique and underlying intelligence that took this film to another level. The cinematography by Emmanuel Lubezki and the production design by Jim Clay and Geoffrey Kirkland were particularly outstanding.

Half Nelson (Dir. Ryan Fleck): The real treat of the London film festival this year was this shrewdly observed tale about the relationship between a Brooklyn teacher and a student after one of them is caught smoking crack. Ryan Gosling and Shareeka Epps give two marvellous lead performances and the film skilfully avoids the clichés of the teacher pupil drama. A stunning debut from director Ryan Fleck and his writing partner Anna Boden, it marks them out as filmmakers to watch out for in the coming years.

Little Children (Dir. Todd Field): This intelligent and highly accomplished adaptation of Tom Perotta’s novel about suburban angst unfortunately died at the box office but deserved a lot more recognition. Apart from featuring a clutch of heavyweight performances from Kate Winslet, Jackie Earl Haley and Phyllis Somerville it was one of the boldest mainstream studio releases of the year in terms of style and content. Managing to weave some dark subject matter with some telling ironic touches it was a film that deserved a bigger audience.

Pan’s Labyrinth (Dir. Guillermo Del Toro): Mexican director Guillermo Del Toro created the best work of his career so far with this sublime fantasy set amidst the backwoods of Spain during the Civil War. Ivana Baquero gave an excellent performance in the lead role and the visuals (on a medium sized budget) were a feast for the eyes. Del Toro has managed to balance commercial films (Hellboy and Blade 2) with more personal work like Cronos, The Devil’s Backbone and this extraordinary film.

The Departed (Dir. Martin Scorcese): It is no coincidence Martin Scorcese’s return to form happened when he stopped chasing Oscars with Harvey Weinstein and returned to the urban grittiness that characterised his best work like Taxi Driver and Goodfellas. Whilst this was not up to those exalted standards it was still a refreshing blast of cops, crime and corruption laced with a wicked sense of black humour. The plot was reworking of the 2002 Asian thriller Infernal Affairs relocated to Boston, as a cop (Leonardo DiCaprio) and a criminal (Matt Damon) double cross their bosses in an increasingly dangerous game of cat and mouse. It might have lacked the tension and panache of the original but the lead and supporting performances were excellent (look out for Mark Wahlberg as a particularly foul mouthed cop) and Scorcese has certainly done enough to bag his long overdue Oscar.

The Queen (Dir. Stephen Frears): Helen Mirren is odds on to win the Best Actress Oscar for her imperious performance in this drama about the relationship between Her Majesty and Tony Blair during the death of Princess Diana in 1997. Michael Sheen was nearly as good as the Prime Minister (and he was even better on stage recently in London as David Frost in the brilliant Frost/Nixon) and both were helped by a script by Peter Morgan that was bold, witty and intelligent. Stephen Frears direction was a reminder that he is one of England’s most accomplished and consistently interesting directors.

United 93 (Dir. Paul Greengrass): The first major studio film to deal with 9/11 was a riveting recreation of the fourth hijacked flight that crashed in Pennsylvania that day. Director Paul Greengrass has surely now established himself as one of the most interesting and gifted directors currently working in Hollywood. Shrewdly avoiding any politics it was a remarkable film on many levels, its technical brilliance matched only by its emotional intensity.

Volver (Dir. Pedro Almodovar): Pedro Almodovar has long been one of Europe’s best directors but in the last few years he has hit a particularly rich vein of form. Talk to Her (2002) and Bad Education (2004) were both outstanding and this year Volver was in the same league. This tale of three generations of women dealing with life and death in Southern Spain was funny and filled with emotion and a career best central performance from Penelope Cruz. The title of the film means “to return” and after a lengthy professional absence from Almodovar’s films, Carmen Maura made a welcome return in a key supporting role.

HONOURABLE MENTIONS

A Scanner Darkly (Dir. Richard Linklater)

Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (Dir. Larry Charles)

The Death of Mr. Lazarescu (Dir. Cristi Puiu)

The Last King of Scotland (Dir. Kevin McDonald)

Little Miss Sunshine (Dir, Jonathan Dayton & Valerie Faris)

Hard Candy (Dir. David Slade)

Thank You for Smoking (Dir. Jason Reitman)

Venus (Dir. Roger Michell)

Casino Royale (Dir. Martin Campbell)

Superman Returns (Dir. Bryan Singer)

Flags of Our Fathers (Dir. Clint Eastwood)

As usual it is no particular order but check out last years list for films that ended up getting a UK release earlier this year (like The New World and Grizzly Man). There are also films I haven’t seen yet like Letters From Iwo Jima and Dreamgirls that may end up in this this list when I do. See here for the explanation.

> Check out some more best of 2006 lists at Metacritic
> A big scoreboard of Top 10 lists at Movie City News

Categories
Lists Thoughts

The end of year dilemma

It is that time of year where critics start compiling their end of year lists. But if, like me, you are based in the UK then there is always a problem.

Films often get released here a couple of months after their US release, so outstanding titles like Brokeback Mountain, Grizzly Man and The New World end up in a strange twilight zone. They are 2005 films that end up in the 2006 best of list. And that is just wrong isn’t it?

If you go to the IMDb and look up The New World it is listed as a 2005 film, even though it got a UK release in February 2006. My solution is to just list the best films I’ve seen this year and ammend the previous year’s list accordingly.

My end of year list will be up in a couple of days but also look out for an amended version of last year’s best films.

Categories
Awards Season Interesting

Cuaron, Innaritu & Del Toro on The Charlie Rose Show

Charlie Rose hosts a roundtable discussion with Mexican directors Alfonso Cuaron, Alejandro Gonzalez Innaritu and Guillermo Del Toro. They discuss their latest films (Children of Men, Babel and Pan’s Labyrinth), their careers and their friendships.

[googlevideo]-8155571489738252066[/googlevideo]

Categories
Amusing News

Silent Star Wars

Some bright spark has re-edited Star Wars in the style of an old silent movie.

[youtube]8mBDQXWflbM[/youtube]

Categories
Podcast Reviews

The Movie Cast for Friday 22nd December

On the podcast this week we take a look at Flags of Our Fathers, a World War Two drama directed by Clint Eastwood about the story behind the iconic image of US troops at Iwo Jima. Plus, we also speak to award winning photojournalist Tom Stoddart about the famous image.

Our DVD pick is An Inconvenient Truth – a documentary about the environment featuring Al Gore.

Our website of the week is The AV Club.

> Download this week’s Movie Cast from Creation Podcasts
> Subscribe to the podcast via iTunes
> Subscribe to the podcast via RSS feed

Categories
Trailers

Transformers – New Trailer

Here is the latest trailer for the new Transformers movie.

It gets released on July 4th.

[youtube]OPCR2Gz5_XA[/youtube]

Categories
News Technology

BBC gets into file sharing

The BBC are making programmes available for download via a Bit-Torrent file sharing network.

BBC News reports:

Hundreds of episodes of BBC programmes will be made available on a file-sharing network for the first time, the corporation has announced.

The move follows a deal between the commercial arm of the organisation, BBC Worldwide, and technology firm Azureus.

The agreement means that users of Azureus’ Zudeo software in the US can download titles such as Little Britain.

Until now, most BBC programmes found on peer-to-peer file-sharing networks have been illegal copies.

Beth Clearfield, vice president of program management and digital media at BBC Worldwide, said that the agreement was part of a drive to reach the largest audience possible.

“We are very excited to partner with Azureus and make our content available through this revolutionary distribution model,” she said.

It looks like a big step forward for the Beeb and I have to say that I’m looking forward to what the service actually looks and feels like.

Categories
Amusing Random

Bond bloopers

Someone has made a video featuring a bunch of mistakes in James Bond films.

[youtube]zygt_nGBGb0[/youtube]

Categories
Thoughts Trailers

Epic Movie – Worst trailer of the year?

iFilm has voted this as one of the worst trailers of the year. I think I agree…

[youtube]Hnm1ryuzf0o[/youtube]

Categories
Lists

Classic Lost Movies

The Observer have a list of 50 “neglected masterpieces”. As usual with these lists there is much to agree and disagree with.

My personal picks from the 50 would be The Swimmer, Ace in the Hole, Top Secret!, Safe, Beautiful Girls, Grace of My Heart and (my favourite) The Parallax View.

As for films that aren’t on there I would nominate The Good, the Bad & the Ugly, Pi, The Hill, Cronos, Hanussen and Witchfinder General.

> The Lost Film list in full at The Observer
> Have your say at at the Guardian Film Blog

Categories
Trailers

Die Hard 4 – Trailer

The fourth Die Hard film is out this summer and is actually called Live Free or Die Hard.

Here is the trailer:

[youtube]2F9eCSav9x0[/youtube]

> IMDb entry for Live Free or Die Hard
> Wikipedia entry for the film 

Categories
Podcast Reviews

The Movie-Cast for Friday 15th December

On the podcast this week we take a look at the latest big cinema releases. Deja Vu is the latest thriller from director Tony Scott and it stars Denzel Washinton as an New Orleans investigator who has to use some rather fancy FBI technology in order to solve a crime.

Eragon is a fantasy in the style of Lord of the Rings and sees newcomer Edward Speleers play a young man who has to fufil his destiny as a dragon rider.

Our DVD picks include Die Hard: Special Edition and The Billy Wilder Boxset.

In the news we discuss how Mel Gibson’s latest film Apocalypto managed to triumph at the US box office and our website of the week is Technorati.

> Download this week’s Movie Cast from Creation Podcasts
> Subscribe to the podcast via iTunes
> Subscribe to the podcast via RSS feed

Categories
Awards Season News

The Golden Globe Nominations

The Golden Globe nominations were announced earlier today. Although the organisation behind them is often regarded as something of a joke, they are often an important indicator of what might happen at the Oscars.

This year the frontrunners are Babel (7 nominations), The Departed (6 nominations), Dreamgirls (5 nominations) and The Queen (4 nominations).

The absence of United 93 and Children of Men from this list is very disappointing but if they keep getting nods from critics groups they could still figure at the Oscars.
Here is the full list of film nomitnations:

Best Film – Drama
Babel
The Departed
Little Children
The Queen
Bobby

Best Film – Musical Or Comedy
Borat
Little Miss Sunshine
Dreamgirls
The Devil Wears Prada
Thank You For Smoking

Best Director
Clint Eastwood – Flags of Our Fathers
Clint Eastwood – Letters from Iwo Jima
Stephen Frears – The Queen
Alejandro Gonzalez Inarritu – Babel
Martin Scorsese – The Departed

Best Actress – Drama

Penelope Cruz – Volver
Judi Dench – Notes on a Scandal
Maggie Gyllenhaal – Sherrybaby
Kate Winslet – Little Children
Helen Mirren – The Queen

Best Actor – Drama
Leonardo DiCaprio – Blood Diamond
Leonardo DiCaprio – The Departed
Peter O’Toole – Venus
Will Smith – The Pursuit of Happyness
Forest Whitaker – The Last King of Scotland

Best Actress – Musical or Comedy
Annette Bening – Running With Scissors
Toni Collette – Little Miss Sunshine
Beyonce Knowles – Dreamgirls
Meryl Streep – The Devil Wears Prada
Renee Zellweger – Miss Potter

Best Actor – Musical Or Comedy
Sacha Baron Cohen – Borat
Johnny Depp – Pirates of the Caribbean
Aaron Eckhart – Thank You for Smoking
Chiwetel Ejiofor – Kinky Boots
Will Ferrell – Stranger than Fiction

Best Supporting Actress
Adriana Barraza – Babel
Cate Blanchett – Notes on a Scandal
Emily Blunt – The Devil Wears Prada
Jennifer Hudson – Dreamgirls
Rinko Kikuchi – Babel

Best Supporting Actor
Ben Affleck – Hollywoodland
Eddie Murphy – Dreamgirls
Jack Nicholson – The Departed
Brad Pitt – Babel
Mark Wahlberg – The Departed

Best Foreign Language Film
Apocalypto (US)
Letters From Iwo Jima (US)
The Lives of Others (Germany)
Pan’s Labyrinth (Mexico)
Volver (Spain)

Best Animated Film
Cars
Happy Feet
Monster House

Best Screenplay
Guillermo Arriaga – Babel
Todd Field and Tom Perrotta – Little Children
Patrick Marber – Notes on a Scandal
William Monahan – The Departed
Peter Morgan – The Queen

Best Original Song
Listen – Dreamgirls
Never Gonna Break My Faith – Bobby
The Song of the Heart – Happy Feet
Try Not to Remember – Home of the Brave
A Father’s Way – The Pursuit of Happyness

Best Original Score
Alexandre Desplat – The Painted Veil
Clint Mansell – The Fountain
Gustavo Santaolalla – Babel
Carlo Siliotto – Nomad
Hans Zimmer – The Da Vinci Code

> Official site of the Golden Globes
> Brian Lowry of Variety provides some analysis of the nominations
> Pete Hammond at Hollywood Wiretap has his take

 

Categories
News

Peter Boyle RIP

The actor Peter Boyle has died, aged 71.

Reuters report:

Emmy-winning actor Peter Boyle, who played the tap-dancing monster in the movie “Young Frankenstein” and grouchy father Frank Barone in the TV series “Everybody Loves Raymond,” has died at age 71.

The former Christian Brothers monk and friend of Beatle John Lennon died on Tuesday after a long battle with multiple myeloma and heart disease, his publicists said on Wednesday.

Boyle, who often played cantankerous characters, shot to fame as a foul-mouthed, working-class bigot in the 1970 film “Joe.” He also played one of Robert DeNiro’s fellow taxi drivers in Martin Scorsese’s “Taxi Driver” in 1976 and the cruel, racist father to Billy Bob Thornton in 2001’s “Monster’s Ball.”

In the 1974 Mel Brooks spoof “Young Frankenstein,” he took a comic turn as the Frankenstein monster, singing and dancing to “Puttin’ on the Ritz” with Gene Wilder in tuxedos and top hats.

Although a lot of news outlets seem to be emphasising his role in the TV show Everybody Loves Raymond, I think his film career is worthy of more attention.

His turn in Taxi Driver as “Wizard”, the monster in Young Frankenstein and (most memorably) his portrayal of the campaign manager in the political satire The Candidate are the ones that initially come to mind.

> Peter Boyle at the IMDb
> Wikipedia entry for Peter Boyle

Categories
Interviews Technology

The state of the UK film industry

Earlier this week I spoke to Stuart Till, the CEO of UIP – one of the UK’s main film distributors.

We discussed a number of topics including the Leitch review – a government report into skills in the UK and how it affects the film industry, the impact of new technology on distribution and the forthcoming split up of UIP into two separate companies.

Listen to the interview
[audio:stuart_till_ interview.mp3]

Categories
Awards Season News Thoughts

The Early Oscar Contenders

Even though the Oscars are a few months away (February 25th to be exact) , the first important film awards in the US have been taking place. Critics in various cities have been dishing out their yearly gongs and the results may well provide an indicator as to what will be in contention for the Academy Awards.

How does it all work? Well, in a nutshell, studios select which films they want to push for certain categories and screenings are held (and DVDs are sent out) for members of AMPAS. They then vote on them and it boils down to a list of nominations for the final ceremony. For the winners, they get the famous golden statue, worldwide exposure and congratulatory phone calls from Hollywood execs dying to work with them.

But that is still a long way off. Now that the award season is beginning in earnest lets take a look at the main Oscar contenders and the other films that could start gaining momentum over the next couple of months.


THE EARLY FAVOURITES

The Departed – Martin Scorcese’s dark Boston set cop drama may not be up to the standard of his best work but it did well with the critics and made an impact at the box office. It contains a lot of strong performances from the likes of Leonardo DiCaprio, Matt Damon, Jack Nicholson and Mark Wahlberg. Crucially the Academy will probably give Scorcese Best Director this year as for some strange reason he has never won but this time he looks like a dead cert. Expect this to be nominated for Best Picture, Best Screenplay and a raft of acting nominations as well as Best Director.

Dreamgirls – This musical (adapted from the 1981 Broadway show) has been anointed the official favourite by a slew of critics and tipsters. Directed by Bill Condon, it is loosely based on upon the lives and careers of The Supremes and stars Beyonce Knowles and Eddie Murphy. It hasn’t actually done that well in the awards this weekend but for many pundits it remains the film to beat so far.

The Queen – This very British drama about the relationship between the Queen and Tony Blair after the death of Princess Diana might have sounded an obscure shot for awards glory a year ago but the quality of the film and the standout lead performances have ensured it a place at the Oscar buffet. Helen Mirren’s superb performance as Her Majesty, Michael Sheen’s portrayal of Tony Blair, Peter Morgan’s intelligent script and Stephen Frears’ direction all look very likely to be nominated. Expect it to do very well at the BAFTAs.


THE OTHER CANDIDATES

Little Miss Sunshine – Ever since it wowed audiences at the Sundance film festival back in January this crowd pleasing comedy has become a critical and commercial favourite. Although comedies tend to be overlooked at the Oscars, this one has a bittersweet edge and a heartfelt quality that might see it creep into certain categories, maybe even Best Picture.

Flags of Our Fathers – Clint Eastwood made not one but two World War 2 films this year and a few months back some were hailing ‘Flags of Our Fathers’ as an early favourite. It tells the story of the three surviving US troops who helped raise the flag at Iwo Jima in World War 2 but found it hard to return home as war heroes (especially as the iconic photo was staged). Despite mostly positive reviews it died at the box office and its chances would appear to be receding.

Letters from Iwo Jima – This is the other Eastwood film about Iwo Jima shot back to back with Flags of our Fathers but from the Japanese perspective. The initial plan was for that to come out in the new year but it has been pulled forward for awards consideration. Ironically some are some are now saying it is actually better than its sister film and it has already scooped a couple of critics awards. It isn’t inconceivable that both could get nominated but at this time ‘Letters’ rather than ‘Flags’ seems to have the edge.

Babel – Mexican director Alejandro Gonzalez Inarritu has created another powerful multi-layered drama, only this one is more ambitious than his previous two films (Amores Perros and 21 Grams). Featuring a sprawling narrative that spans three continents (Africa, America and Asia) it contains some excellent performances from Brad Pitt and Cate Blanchett, but look out for a startling turn from Japanese newcomer Rinko Kikuchi.

United 93 – The first film from a major studio to deal with 9/11 is a riveting piece of work from director Paul Greengrass. It may prove too dark for some Academy voters but the incredible technical work and visceral power of this film should be recognised. There are no lead actors but it could become a real contender for Best Picture and Best Director if it starts picking up more awards.

World Trade Center – The other mainstream release to deal with 9/11 (in this case two cops trapped underneath the Twin Towers) is a less accomplished film than United 93 but it has more mainstream appeal given that tugs on the heartstrings a bit more. Mario Bello and Michael Pena probably have good shots in the acting categories but I would be surprised if it emerged as a major contender.

Little Children – This superb study of suburban angst unfortunately died at the box office but if enough voters get to see it they may give it some nominations. Kate Winslet, Jackie Earle Haley and Phyllis Somerville certainly deserve some recognition for their excellent work.

The Pursuit Of Happyness – Will Smith puts his serious hat on for this drama (based on a true story) about a father in San Francisco who is struggling to make ends meet as he trains to be a stockbroker. Although it has a rather naff poster and trailer, it is a surprisingly uplifting tale set on the dark side of the American dream. Smith could certainly be in the running for Best Actor.


OUTSIDERS

Other films that could get some nominations – but are unlikely to make serious waves – include Alfonso Cuaron’s superb dystopian drama Children of Men (almost certainly too dark for Academy member’s tastes) and Pedro Almodovar’s Volver. Some are tipping it to compete in the main categories which would be unusual for a foreign language film. So, despite its obvious brilliance it is more likely to get the Best Foreign Picture nod.

Robert De Niro has returned to the director’s chair to make The Good Shepherd, a drama about the early days of the CIA. Some are already grumbling about its long and it could possibly make an impact, even if it is only for Eric Roth’s screenplay.
OTHER PERFORMERS

They are often actors who become Oscar contenders despite the fact that the film they were in doesn’t get many nominations. In this category I would expect Forest Whitaker to be a solid contender for his mesmerising portrayal of Ugandan dictator Idi Amin in The Last King of Scotland.

Meryl Streep in The Devil Wears Prada, Peter O’Toole in Venus and (maybe) Ryan Gosling in Half Nelson are others who might be in with acting nods.

I’m sure there will be some surprises between now and March and often films or performances that look good for Oscar glory can be derailed by outside controversies.

But in the meantime check out the links below to find out more about the films competing in this awards season and feel free to leave your early thoughts and predictions below.

> Check out all the Oscar runners and riders at Oscarwatch
> The Gurus of Gold chart at Movie City News
> The Envelope awards site at the LA Times
> The Carpetbagger awards blog at the New York Times
> Find out more about the Academy Awards at Wikipedia

Categories
Box Office News

Apocalypto tops the US Box Office

It would seem that Apocalypto has beaten The Holiday at the US box office.

Variety reports:

Mel Gibson’s latest epic “Apocalypto” was tops at the domestic B.O. over the latest frame, taking in $14.2 million off 2,465 engagements for a per screen average of $5,747.

At No. 2 was Sony’s “The Holiday” from romantic comedy maestro Nancy Meyers, taking in $13.5 million from 2,610 playdates for a per screen average of $5,172.

Pic played to 65% female auds.

In other new openers, Warner Bros.’ political adventure “Blood Diamond” bowed in 1,910 engagements for a take of $8.5 million.

After his drunken anti-Semitic outburst back in July, things did not look good for Apocalypto (a foreign language epic about the decline of the Maya civilization). However, positive reviews, the extreme violence in it and the controversy over his last film (The Passion of the Christ)  clearly created a buzz around the film.

After seeing it earlier this week I can report that parts of Apocalypto are exciting and riveting. After a slow beginning it turns into an pulsating chase movie set amidst the backdrop of a violent society.

It is also a highly unusual mainstream release. Not only are parts of it extremely violent, but it is about such an uncommercial subject that Gibson essentially paid for the film himself.

Whilst it may not be quite as accomplished as its early admirers might have you believe, there is something heartening to see it beat and a soggy – and highly commercial – mess like The Holiday.

Apocalypto opens in the UK on Friday 5th January

> Official site
> David Poland’s analysis of this weekend’s box office at The Hot Blog
> More about Apocalypto at Wikipedia
> Reviews for Apocalypto at Metacritic
> IMDb entry for Apocalypto

Categories
Podcast Reviews

The Movie Cast for Friday 8th December

This week on the podcast we take our weekly look at the latest cinema and DVD releases. We review Happy Feetthe latest animated film involving animals, in this case penguins that can sing and dance. Directed by George Miller, it features the voices of Elijah Wood, Robin Williams, Nicole Kidman and Hugh Jackman.

We also review The Holiday, a romantic comedy starring Cameron Diaz, Jude Law, Kate Winslet and Jack Black. And we also discuss The US vs John Lennon, a new documentary about the Beatle and his battles with the Nixon administration. We also speak to the co-director of the film, John Scheinfeld.

Our DVD pick this week is The Abyss, a new special edition of the deep sea drama from 1989 directed by James Cameron and starring Ed Harris and Mary Elisabeth Mastrantonio.

Plus, in the news we look at the possibility of Beverly Hills Cop 4 and our website of the week is Roger Ebert.com.

Feel free to leave any thoughts or feedback below.

> Download this week’s Movie Cast from Creation Podcasts
> Subscribe to the podcast via iTunes
> Subscribe to the podcast via RSS feed

Categories
Trailers

Hot Fuzz – New Trailer

Here is the trailer for Hot Fuzz – the new film from the team behind Spaced and Shaun of the Dead.

[youtube]tsxfcR-F7ms[/youtube]

It looks like it could be very funny indeed and I particularly like the way the opening music and voiceover references the trailer to Lethal Weapon:

[youtube]CJR3qz6Ey14[/youtube]

Hot Fuzz opens in the UK on February 16th and in the US on March 9th.

> Official Site for Hot Fuzz
> Wikipedia entry for Hot Fuzz

Categories
Amusing Interesting Technology Thoughts

Back to the Future timeline on Wikipedia

Have ever sat around with friends and discussed the Back to the Future films? When you get past which one is best, conversation usually turns to the impressively complicated logic that underpins the plot of the entire trilogy.

If you need to refresh your memory there is a terrific explanation of the timeline currently on Wikipedia. But as Cinematical have reported, it does beg the question of whether or not it should actually be there:

There is a massive and mind-bogglingly complete Back to the Future timeline on Wikipedia that is the effort of some seriously fanatical fans. It details events that were cut from the original scripts (for instance, did you know that Doc Brown and Marty met in 1983 when Marty showed up to sweep the Doc’s garage?), the animated series, and meticulous picking apart of the films themselves. It’s a real labor of love, and it’s in danger.

Wikipedia has some pretty strict policies regarding verifiability, and that leaves the BTTF timeline somewhere between limbo and a hard place. Check out the discussion page where people are chiming in on whether to keep the article or not. So far is a resounding “keep it!” but if you want to give your own opinion on the matter, roll up your sleeves and dive right in. Wikipedia is by the people, for the people.

I think I’m in agreement with my Cinematical brethren. It should stay, just because it adds to our knowledge of the film (one of the biggest films of the 80s) even though, on the surface, it may seem trivial. And surely knowledge is what the online encyclopedia is all about?

> The Back to the Future timeline on Wikipedia
> Discuss the issue on the relvant Wikipedia talk page
> Cinematical’s take on ths issue

Categories
Podcast Reviews

The Movie Cast for Friday 1st December

This week on the podcast we take our usual look at the latest cinema and DVD releases. We cast a critical eye over Flushed Away, the new animated film from Aardman Animations. Most famous for creating Wallace and Gromit they have now created their first CGI feature film – a comic tale of two rats (voiced by Hugh Jackman and Kate Winslet) stuck underneath the sewers of London.

We also review Stranger Than Fiction, the new comedy/drama starring Will Ferrell as a Chicago tax inspector who finds out that he is actually a character in a novel.

Our DVD pick this week is Superman Returns, one of the big summer blockbusters which sees director Bryan Singer revive the The Man of Steel for the modern era.

Plus, in the news we look at how a kid in Canada unwittingly became the most viewed video on the Internet and our website of the week is The Viral Video Chart.

Feel free to leave any thoughts or feedback below.

> Download this week’s Movie Cast from Creation Podcasts
> Subscribe to the podcast via iTunes
> Subscribe to the podcast via RSS feed

Categories
News

The latest on Peter Jackson vs New Line

Sharon Waxman of The New York Times reports the latest on the ongoing dispute between Peter Jackson and New Line over the possible remake of The Hobbit:

In February 2005 Mr. Jackson sued New Line, saying he was owed money from the trilogy. Mr. Jackson has said he sued over profits from “The Lord of the Rings: The Fellowship of the Ring,” after he was unable to get New Line to submit to an independent audit of its books. The lawsuit, which was unsuccessfully mediated, still has no court date, and so far no audit has taken place. New Line executives have complained that Mr. Jackson has become vastly wealthy from the Tolkien trilogy and is unjustifiably portraying himself as a victim.

In his letter Mr. Jackson said New Line was holding the new movie hostage to his lawsuit, saying that Michael Lynne, the New Line co-president, told Mr. Jackson’s manager, Ken Kamins, “that the way to settle the lawsuit was to get a commitment from us to make the Hobbit, because ‘that’s how these things are done.’ ”

Mr. Jackson added: “Michael Lynne said we would stand to make much more money if we tied the lawsuit and the movie deal together and this may well be true, but it’s still the worst reason in the world to agree to make a film.”

Neither Mr. Jackson nor the studio would comment publicly on the lawsuit.

And she includes a detail that I hadn’t heard before:

The final straw in continuing tensions between the two sides came earlier this month, when Mr. Jackson declined to contribute a video salute to New Line for the celebration of the 40th anniversary of its founding, planned for next year, according to two people familiar with the matter. Days later a New Line executive called Mr. Kamins to say that the studio would be seeking another director for “The Hobbit.”

So while New Line accused Mr. Jackson of trying to negotiate the lawsuit through the Internet, Mr. Jackson’s camp accused the studio of brinksmanship in a fit of pique.

It was left to another studio entirely, MGM, which owns the distribution rights to “The Hobbit,” to step in and calm the raging waters — and the Web sites.

“We expect to partner with New Line in financing ‘The Hobbit,’ ” a spokesman for MGM said. “We support Peter Jackson as a filmmaker, and believe that when the dust settles, he’ll be making the movie. We can’t imagine any other result.”

Perhaps all concerned will have to settle their differences if the film is to be made. We shall see.

> The first official fansite for The Hobbit
> Another site tracking the new of the film
> The letter from Peter Jackson and Fran Walsh to The OneRing fansite

Categories
News

Star Wars Kid

BBC News claims that The Star Wars Kid is the most viewed viral video of all time:

[youtube]iQibs3albtM[/youtube]

If you aren’t familiar with the story the Wikipedia has all the details here.

There were numerous remixes of the video but this one (with some nifty lightsaber effects) stands out:

[youtube]onrXnQXKLg0[/youtube]

The full top ten list of viral videos is:

1. Star Wars Kid (900m)
2. Numa Numa (700m)
3. One Night In Paris (400m)
4. Kylie Minogue for Agent Provocateur (360m)
5. The Exploding Whale (350m)
=6. John West Salmon Bear Fight (300m)
=6. Trojan Games (300m)
8. Kolla2001 (200m)
9. AfroNinja (80m)
10. The Shining Redux (50m)

> Original story at BBC News
> A collection of Star Wars kid remixes

Categories
Box Office News

Bond ruling the global box office

Despite being pipped by the penguins of Happy Feet at the US box office, Casino Royale is still doing the business in every other country in the world.

Nikki Finke at Deadline Hollywood Daily reports:

007 so far is doing Da Vinci Code-like biz in all 50 countries where it’s opened No. 1 (except the U.S. where it opened No. 2). There were 18 new international debuts for Casino Royale this week – all #1, including France, Germany, Spain and Scandinavia. So far, that’s an overseas total of $66.2 mil from this weekend’s haul — the 6th biggest international weekend of 2006. 

Last week, the spy pic was #1 in all 27 countries where it opened, earning $42.2 mil from the UK, Russia, India and small territories in the Mideast and Asia. (Last week, it scored the #9 all-time UK opening, and the biggest Bond opening ever in the UK by 46%.)

Right before the debut weekend, Sony Pictures was lowering expectations for Casino Royale in the U.S. and counting more on foreign sales. The studio was right: the pic now looks like the biggest Bond ever worldwide, moving up from $82.8 mil last weekend to easily passing $224.5 mil this weekend (including the $128.2 mil foreign and $94.2 mil U.S. cume) with many major foreign territories still to go, including Japan, Korea, Italy and Australia.

Meanwhile Box Office Mojo says that even in the US it is holding strong at Number 2:

Down 24 percent, Casino Royale was as impressive as Happy Feet, holding better than James Bond’s previous Thanksgiving titles, GoldenEye, The World Is Not Enough and Die Another Day, which each fell over 31 percent on this weekend. Casino Royale captured an estimated $31 million and, with $94.2 million in 10 days, has sold nine percent more tickets than GoldenEye, the last Bond reboot, through the same point.

> More on Casino Royale at Box Office Mojo
> David Germain of the AP on this weekend at the US Box Office

 

 

Categories
Technology Thoughts

Another Observer article on blogs

Only a couple of months after dismissing “movie bloggers” as “daft” and possessing short attention spans Rachel Cooke is at it again in The Observer. Only this time the subject of her ire is people who blog about books. Although I’m tired of the tedious level of debate that pits mainstream media against new media it is worth repeating that good writing exists in newspapers and on websites.

To merely dismiss an article because of where you happen to find it is just stupid. Plus, the article again highlights the alarming ignorance (or is it paranoia?) amongst some journalists who work for newspapers that have (ironically) responded well to the rapid changes in media production and distribution.

Part of the problem is the way the word “blog” has become a byword for “anonymous and ill informed opinion found on the Internet”, or “hip opinion that tells us something the mainstream doesn’t” depending on your perspective. Whenever individuals who happen to write things online are lumped all into one group (e.g “the bloggers”) part of me sighs.

They are not really one group of people. We are talking about a diverse group of millions of writers who all happen to use online software like WordPress, Blogger or Typepad in order to express their thoughts on something. Some are good, some are bad, some are enlightening and some are awful. But surely it is better to have a wider base of opinions to debate with?

A lot of blogs might look the same or even say similar things but even if you read thousands you would just be scratching the surface. Within this this huge group of people you are likely to find all kinds of opinions ranging from the erudite to the ridiculous. But unfortunately some people don’t see it that way.

They see something downright horrible, even sinister, about the rise of blogging. Which brings us back to Cooke’s piece. She seems to have a real aversion to the whole concept:

For the time being there is room enough for both sets of critics: the bloggers and the professionals. But what if the media one day does as Hill suggests, and gives up on serious criticism, exchanging it for the populist warblings of the blogosphere? This would be easy to do, and cheap. But my God, I hope it will not happen. This is not only because there are so many critics, past and present, that I admire. It is because so much of the stuff you read in the so-called blogosphere is so awful: untrustworthy, banal and, worst of all, badly written.

It is interesting that Rachel appears to be firmly in the “blogs are bad” camp. The basic thrust of her argument would appear to be that opinions expressed by paid journalists must be better than those found on blogs. OK, often this is this case. There are many journalists working in ‘traditional media’ whose opinion I respect, admire and do indeed pay for. In fact I paid for Rachel’s opinions (amongst many others) on Sunday when I bought the Observer.

But what about established journalists who blog? Kevin Sites provided compelling updates from the siege of Fallujah in 2004, Christopher Hitchens regularly writes for Slate in a style that is blogging in all but name and Jeff Jarvis writes intelligently about the impact of new media (amongst other things) on his blog. All three were established journalists whose work I have come to have a deeper appreciation of precisely because they publish online and link to other sites. They are far from the faceless geeks Rachel is so upset about.

I don’t have a problem with part of her argument. There are times when the word “blogosphere” is used to hint that all the cool and clever writing is on the internet. That is clearly not always the case. I’m also sure some of the comments and postings on blogs about her articles on movie and book bloggers were just anonymous and petty insults.

But she probably attracted such ire because her tone is so bitchy and condescending. Dismissing the bloggers she came across as “Pooters ” or “simpering acolytes” smacks of someone afraid of the masses invading the elite media club to which she is a member of.

Beneath her piece were some thoughts from different industry insiders which provided an interesting and welcome contrast. Ed Horrox, A&R manager at 4AD Records highlighted how music reviews could be moving away from print to online:

The web acts as a filter for what we read in print. It gives newspapers and magazines the upper hand by sorting out the wheat from the chaff. MySpace can tell me within seconds what a band are like and if they’re playing up the road, but I still pay attention to print-based fanzines like Sandman, and I still read the reviewers I’ve been reading in print for years because I’m keen to know what they think of a certain record. Of course, great writers will move with the medium, and in time some may move away from print, and the interested music lover will follow.

Film publicist Charles McDonald (CEO of Premier PR) emphasised the importance of newspaper reviews:

Blogs and online criticism are influential, probably more so with a younger audience, but I wonder if they don’t have greater influence on the rest of the media – the people who are covering the films – than on the end consumer. I’m not convinced that even the younger element is massively influenced by what’s said about films online. Look at Snakes on a Plane, for example. You had the huge internet campaign, huge interest, great fun, but people did not go to see the film when it finally came out. They had probably seen enough online.

The Blair Witch Project appeared to herald a new era where the internet would reign supreme in cinema. I don’t think this has happened yet. There’s no doubt that the web helps create an atmosphere and gets the word out about a film. But when it comes to putting review quotes on posters, we still look to the larger newspapers and magazines, outlets that have a certain resonance. I’m not saying websites will never eclipse the print media in this way, but at the moment, internet reviewers still don’t have the weight a national critic has.

I think he is right (for the time being) although whenever people talk about Snakes on a Plane, it is worth remembering that all the hype wasn’t initially generated by New Line (the studio behind the film) and if anything the fan culture that grew up around it probably saved it from being a complete flop.

Plus, what about the clever use of MySpace as a promotional tool for Borat? Because of the enormous financial success of the film people assume it was a slam dunk but I’m sure the word of mouth on that site helped to create a lot of buzz in the target demographic and persuaded viewers unfamiliar with the character to give the film a try.

Worryingly, Nicholas Hytner (a man who has done such a great job running the National Theatre) is more sceptical:

I find looking at the computer screen a depressant so I spend as little time at it as possible. So although I’ve not come across a blog that makes me want to revisit it, I’m not the best person to ask…I don’t think there is yet a London theatre chatroom that anyone bothers with. I never hear anyone talking about them. They do in New York – which bewilders me. Well, maybe in New York people want to share their opinions online and perhaps there is a shift of influence from the handful of theatre critics who wield so much power.

But the most interesting comment is from Richard Charkin – the chief executive of Macmillan no less – who is revealed to be a blogger:

If you think of the parallel of Wikipedia, user content generation isn’t necessarily a bad thing. So why not reviews on blogs? Obviously some of the stuff on the internet is trustworthy and some isn’t, just as it is with newspapers. In the olden days a review in the TLS was extremely important, and even better a review in the Sunday papers. Now there’s so much media, there are so many words, the impact of any review is diluted.

Clearly reviews in major newspapers are more credible than randomly collected reviews on Amazon or on blogs, because there is an editorial process, which tries to ensure quality. But then we all know that the newspaper world is a clique, and there tends to be cross-reviewing: certainly the blogosphere doesn’t suffer from that. The fact that people want to do reviews on the web is great, it opens up people’s views – they can discuss and argue. But if I wanted to be sure I was getting thorough information about a book, I would go to the TLS.

It is heartening to see someone in such an influential position have such an enlightened view. Not only is he still realistic about the importance of a traditional outlets like newspapers and the TLS but he understands and gets the rising importance of things like blogs, Wikipedia and how debate and conversation is part of that future.

When I first wrote about Rachel Cooke’s article on movie bloggers the feedback I got was interesting. After Anne Thompson linked to it a number of people wrote reactions. Some thought I should have posted sooner, others felt Cooke’s piece was “idiocy”. But most interesting was the reaction from blogs I’d never heard of (some of whom now appear in my sidebar links).

They offered perspectives and links to other sites that I wouldn’t have known about or normally visited. And that has to be the best thing about blogging – it can open up your mind to new things. But (and Rachel please take note) the trick is that your mind has to be open to begin with.

The Observer and The Guardian have made some wonderful strides in to the world of new media with their own group blogs and podcasts (incidentally that’s another thing Rachel appears to hate), but if some of their very own writers are so dismissive of these new developments, why do they bother?

In a sense it is good that there are doubters like her around because they do remind you of what is great about reading and writing blogs but couldn’t it be a higher standard of criticism than just the usual cliches journalists use when discussing the internet?

> Observer Review Section
> The latest Cooke Article
> Observer Blog discussion on a related article
> The Literary Saloon discusses the article
> A sensible take on it all from Rob Hinchcliffe
> The Guardian recommends some literary blogs
> The Observer’s John Naughton on “The Genius of Blogging” (2003) and “Journalists must stop being in denial: Bloggers are here to stay” (2005)
> Some arts blogs that even Rachel Cooke may approve of at Arts and Letters Daily

Categories
Technology Thoughts

Editors vs Readers at the BBC

How in touch are the BBC with the readers of their news website?

Chris Riley has created a clever site that compares the current stories on the BBC News front page against the most popular stories on it.

It is an interesting exercise in analysing the dynamic between readers and editors. Should BBC News – as a publicly funded service – give us the stories the readers want? After all, they do pay for it. Or would that lead to a glut of stories about celebrity weddings and weaken their core strengths as a broadcaster that can operate outside commercial pressures?

Perhaps they should go down the Digg route and get users in the UK (those who pay the licence fee) to vote on stories. You could then have an option to view the conventional news page or the one with the most popular stories as voted by users. It would be similar to the way you can chose to select a UK or an International version on the current site. 

Not only would it be an interesting snapshot of what BBC editors and readers think but it would involve licence fee payers in a way that isn’t really possible on TV or radio. That is going to be crucial for the BBC in a future where a tax on televisions will surely be untenable (not to say downright anachronistic).

If it is to survive, as well as thrive, in the future (and let’s hope it does – preferably with less bureaucracy) then it has to use its audience as well as serve it. Director General Mark Thompson has spoken about the need to innovate and adapt to the world of Web 2.0, so why not involve audiences in their output?

Closer to home, why not make BBC Film a more interactive and user friendly site? Why not allow users to comment on the reviews? And why not do a dedicated film podcast with their presenters like Mark Kermode and Jonathan Ross?

> BBC Touch
> BBC News
> Digg
The most popular stories on BBC News at the moment
> Thanks to Jeff Jarvis for the link to Chris Riley’s site

Categories
Reviews

Frank Darabont on Pan’s Labyrinth

Frank Darabont, the writer and director of The Shawshank Redemption, is a big fan of Pan’s Labyrinth, as he explains in this review at Guillermo Del Toro’s website:

This is not to be confused with a review. I’m not a critic and I hate reviews, so I wouldn’t write one even if I could. This is the informal reaction of a movie lover, offered in the manner of Jackson Pollack throwing paint at a canvas—emotional and messy. (Anybody who feels cheated not getting a plot summary and all that review-y stuff should stop reading now, because this will surely frustrate them. I won’t be giving a single story detail. They’ll be able to get that kind of thing in plenty of other places, if that’s what they want…but I, for one, urge everybody to avoid reviews and see the film knowing as little about it in advance as possible, as I was lucky enough to do.)

Bear in mind also that my reaction can hardly be deemed unbiased, because Guillermo is a dear friend and I love him. Consider that caveat a given. Now, putting my personal feelings toward him aside as best I can, let me say this:

I think PAN’S LABYRINTH is a masterpiece. The real deal. A perfect film. A gem.

Read the rest of the review here.

> Get listings for Pan’s Labyrinth via Google

Categories
Podcast Reviews

The Movie Cast for Friday 24th November

On this week’s podcast we take our usual look at the latest cinema releases. This week we examine Jackass Number Two, Pan’s Labyrinth and Tenacious D: In The Pick of Destiny and we also speak to “The D” (aka Jack Black and Kyle Gass) about their film.

Our DVD pick for this week is Renaissance and our website of the week is The Stinkers.

> Download this week’s Movie Cast from Creation Podcasts
> Subscribe to the podcast via iTunes
> Subscribe to the podcast via RSS feed

Categories
News

Robert Altman RIP

Sad news coming through the newswires about the death of Robert Altman. One of the great directors of the 1970s, he was still making films and even achieved an honoray Oscar earlier this year.

Even if his recent work wasn’t up to the same standard of his classic 70s output he will still be remembered as one of the best directors of his era.

Details from David Germain of the AP:

Robert Altman, the caustic and irreverent satirist behind “M-A-S-H,” “Nashville” and “The Player” who made a career out of bucking Hollywood management and story conventions, died at a Los Angeles Hospital, his Sandcastle 5 Productions Company said Tuesday. He was 81.

The director died Monday night, Joshua Astrachan, a producer at Altman’s Sandcastle 5 Productions in New York City, told The Associated Press.

The cause of death wasn’t disclosed. A news release was expected later in the day, Astrachan said.

> Original report at the AP
> Find out more about Robert Altman at Wikipedia
> Robert Altman at the IMDb
> Robert T. Self at Senses of Cinema with a lengthy piece on Altman’s films

Categories
News

Peter Jackson won’t return for The Hobbit

It looks like Peter Jackson won’t be making The Hobbit after all. In a letter to LOTR fansite The One Ring, the director and his partner Fran Walsh explain their situation:

Dear One Ringers,

As you know, there’s been a lot of speculation about The Hobbit. We are often asked about when or if this film will ever be made. We have always responded that we would be very interested in making the film – if it were offered to us to make.

You may also be aware that Wingnut Films has bought a lawsuit against New Line, which resulted from an audit we undertook on part of the income of The Fellowship of the Ring. Our attitude with the lawsuit has always been that since it’s largely based on differences of opinion about certain accounting practices, we would like an independent body – whether it be a judge, a jury, or a mediator, to look at the issues and make an unbiased ruling. We are happy to accept whatever that ruling is. In our minds, it’s not much more complex than that and that’s exactly why film contracts include right-to-audit clauses.

However, we have always said that we do not want to discuss The Hobbit with New Line until the lawsuit over New Line’s accounting practices is resolved. This is simple common sense – you cannot be in a relationship with a film studio, making a complex, expensive movie and dealing with all the pressures and responsibilities that come with the job, while an unresolved lawsuit exists.

[Continued…]

To read the rest of the letter in full go to The One Ring.

> Empire report on the story
> All the reaction at Aint It Cool News

Categories
Box Office

Happy Feet tops US Box Office

Happy Feet just wins the battle against Casino Royale at the US box office according to Variety:

A cadre of singing and dancing penguins beat out the monkey-suited international superspy James Bond at the B.O. this weekend, as Warner Bros. and Village Roadshow’s CG-animated “Happy Feet” skipped to No. 1 with $42.3 million thanks to a particularly strong Saturday run.  

Meanwhile the trade paper also reports that Casino Royale is doing very good business around the world:

James Bond returned with a bang at the international box office as “Casino Royale” dominated the weekend with $42.2 million at 3,063 playdates in 27 markets.

“Casino” hit the jackpot in its U.K. launch with $25.6 million at 988, including $3.7 million in previews. Its Friday-Sunday take tied “Pirates of the Caribbean: Dead Man’s Chest” as the second-highest weekend launch in Brit history, trailing only “Harry Potter and the Goblet of Fire.”

With Daniel Craig in his first turn as Bond, the Blighty opening handily topped the previous Bond pic, “Die Another Day,” by 46%.

“Casino Royale” took in more than the combined foreign grosses of the next four pics — “Borat,” “The Devil Wears Prada” and “Open Season.” Combined with its second-place domestic take, “Casino” totaled $82.8 million worldwide for the weekend.

The Bond film also scored a record opening in the UK.

Categories
Amusing

Fox News (with laughs)

Someone has put a laughter track underneath a Fox News interview between Neil Cavuto and Bill O’Reilly.

[youtube]doD3a5UnCC4[/youtube]

Categories
Box Office

Happy Feet vs Casino Royale

It looks like the penguins will just beat Bond at the US Box Office this weekend. Variety reports:

The first big battle of the holiday season ended with a cadre of penguins beating out James Bond. Warner Bros.’ CG-animated “Happy Feet” landed at No. 1 with $42.3 million off 3,804, while Sony/MGM’s latest Bond pic, “Casino Royale,” nabbed just over $40 million.

“Feet” was playing on over 3,800 screens, while Bond occupied about 370 less.

Box Office Mojo has Happy Feet just ahead of Casino Royale even though Hollywood Elsewhere thinks that it could be much closer.

*** UPDATE at 23.45 GMT: Leonard Klady at Movie City News is suggesting some kind of dead heat in his weekend box office report. Let’s see how Sony and Warner Bros spin this out… ***
> The weekend predictions by Box Office Mojo
> Box Office Guru also weighs in with some analysis

Categories
Interviews

Casino Royale Interviews

I caught up with a lot of the Bond crew this week to discuss their roles in Casino Royale.

Daniel Craig discusses playing James Bond
[audio:https://www.filmdetail.com/audio/Daniel_Craig.mp3]

Eva Green talks about her role as Vesper Lynd
[audio:https://www.filmdetail.com/audio/Eva_Green.mp3]

The director Martin Campbell talks about updating Bond for 2006
[audio:https://www.filmdetail.com/audio/Martin_Campbell.mp3]

Mads Mikkelsen discusses playing the villainous Le Chiffre
[audio:https://www.filmdetail.com/audio/Mads_Mikklesen.mp3]

Caterina Murino talks about her role as Solange (the other Bond girl)
[audio:https://www.filmdetail.com/audio/Caterina_Murino.mp3]

Chris Cornell discusses how he came to write the new Bond song “You Know My Name”
[audio:https://www.filmdetail.com/audio/Chris_Cornell.mp3]

Categories
Podcast Reviews

The Movie Cast for Friday 17th November

It is a Bond special this week as we look at the latest movie Casino Royale. We speak to the key members of the cast and crew who brought the film to the big screen. Daniel Craig is the new 007 and he discusses his role as the world’s most famous spy and the media frenzy that surrounded him getting the role.

Eva Green tells us how she got cast as Vesper Lynd and Italian actress Caterina Murino explains her role as Bond’s other love interest in the film. Director Martin Campbell describes why the franchise had to be updated and former Soundgarden frontman Chris Cornell tells us how he came to compose the song for the film.

Plus, we take our usual look at the latest DVD releases, which this week includes the Pixar animated tale Cars and Seinfeld: Season 7.

Our website of the week is the excellent Bond fansite MI6.

> Download this week’s Movie Cast from Creation Podcasts
> Subscribe to the podcast via iTunes
> Subscribe to the podcast via RSS feed

Categories
Thoughts

Your thoughts on Casino Royale

Casino Royale opens worldwide today. If you see it tonight or over the weekend let me know what you think in the comments section below.

> Get showtimes for Casino Royale via Google
> Read reviews for the latest Bond film at Metacritic

Categories
News

From China with Love

Variety reports that James Bond will finally be seen in China:

James Bond appears to have won over one of his toughest adversaries yet – China’s film censor. The Film Board has passed 007’s latest outing “Casino Royale” for release in China – the first time Ian Fleming’s master spy has been seen in Chinese cinemas.

Pic will screen on January 30th, according to Sony Pictures in China.

“We are extremely pleased that the film has passed and expect it to be one of the highest grossing films next year in China,” said Li Chow, Sony Pictures’ general manager in China.

Chinese auds are familiar with 007 through pirated copies, but none of the earlier films in the franchise have had a bigscreen release and getting approval for the pic marks a major success for Sony in China.

007’s “license to kill” maverick attitude, violence and sexual peccadilloes are anathema to the kinds of values China embraces in its pics. His penchant for espionage in other jurisdictions or “third countries” has meant he has failed to make it past the censors until now.

But although it is a breakthrough for the spy franchise, the theatrical release date (a full 3 months after its release in most territories) makes me wonder – will 007’s next mission involve stopping an evil mastermind who profits from bootleg DVDs?

> The original story at Variety
> A recent report from Arstechnica on Fox trying to combat piracy in China with low cost DVDs

Categories
News Technology

YouTube PR Blunder

Whoever at the new Google-owned YouTube was responsible for sending Michael Arrington of TechCrunch a legal notice has just committed a rather large PR blunder.

Arrington explains on his site:

Buried in my email this evening I found a cease and desist letter from an attorney at Wilson Sonsini Goodrich & Rosati, representing their client YouTube. We’ve been accused of a number of things: violating YouTube’s Terms of Use, of “tortious interference of a business relationship, and in fact, many business relationships,” of committing an “unfair business practice,” and “false advertising.” The attorney goes on to demand that we cease and desist in from engaging in these various actions or face legal remedies.

Well, crap.

The offense we committed was creating a small tool that lets people download YouTube videos to their hard drives. We referenced the tool in a recent post that walked people through the process of moving YouTube Videos to their iPod.

Has one of the best blogs about new technology really committed an offence worthy of such a letter? I don’t think so. But why would YouTube do this?

Some bright spark may argue that they are just following the law but don’t they realise that many of their users (who probably use extensions to download YouTube videos) will be alienated by this kind of legal posturing? If letters like this were sent out to all sites guilty of doing what TechCrunch did, then YouTube’s lawyers are going to be very busy indeed.

Whatever the implications of the Google acquisition and the brave new legal world the video sharing site may now be in, this could mark the start of backlash they really don’t need.

> Original post at TechCrunch
> Techdirt on the “trigger happy lawyers” at YouTube
> Red Herring think YouTube have “got nasty”
> Russell Shaw at ZDNet thinks YouTube’s lawyers should stop picking on TechCrunch

Categories
Reviews Thoughts

Casino Royale

The new Bond film comes out on Thursday and it is time to get some thoughts down about it. The first thing to note is that the “rebooting” of the Bond franchise has worked. It was a considerable gamble to cast a new Bond and revamp the franchise. After all, the last Bond film – 2002’s Die Another Daywas the most financially successful Bond film (despite the dodgy CGI waves, invisible cars and general sense of overload) so why fix something that was working at the box office?

My guess is that the producers felt that the attempts to make Die Another Day compete visually with the likes of The Matrix and The Lord of the Rings had failed and that there was a need to get back to basics. For EON Productions, “Casino Royale” has long been the holy grail. It was Ian Fleming’s first Bond novel but due to a complex web of legal and rights issues it remained in development hell. But with those issues now resolved, the opportunity to reinvent Bond by updating the original novel was probably too hard to resist.

It wouldn’t make a great deal of sense to cast an aging Pierce Brosnan as a younger version of himself, so would play 007? Enter Daniel Craig, whose dark, brooding presence in films like Road To Perdition and especially Layer Cake planted him firmly on the radar of Michael G Wilson and Barbara Broccoli. After a media frenzy debating the who’s and whys (including a silly campaign by one website that was needlessly amplified by the mainstream media) Craig was cast.

How does he shape up? Well, he certainly impresses as a younger and tougher Bond. But he also manages to display the inner emotions 007 – the rebellious streak that allows him to disobey orders as well as the turmoil he goes through when placed in life threatening situations. The pre-credit sequence – so often the scene of mass destruction and carnage – is shot in moody black and white and shows us the new Bond and how he earns his double-0 status. Dispatching two villains with contrasting methods it demonstrates that he is a man who now kills people for a living. It also feels like a deliberate nod to the austere qualities of the early Connery films where Bond’sruthlessness was never far from the surface.

Despite some impressive action sequences (which include an extended fight on top of a crane in Madagascar and a chase in Miami Airport) the restrained and grittier feel is consistent throughout. Bond often has to rely on his fists and cunning rather any hi-tech gadgetry. The plot is a modern update of the novel in which the main narrative thrust has been preserved. After Bond tries to track down a terrorist in the Bahamas, he is ordered by M (Judi Dench) to enter a high stakes poker game at Le Casino Royale in Montenegro. There the enigmatic villain Le Chiffre (Mads Mikklesen) is trying to raise funds for his organization, which launders money for terrorists. Bond has to deal with the tension of the card game, whilst being watched by treasury official Vesper Lynd (Eva Green), a woman he soon starts to develop real feelings for.

There are some minor quibbles. Dench is always good value as M and her scenes with Craig work well but her presence rather undermines the new time line of this Bond universe. Also, as the film gets in to the third act you can feel things dragging a bit before the climax. And although there are references to modern terrorism they often feel a bit too timid. Given the current world climate it would have been interesting to explore the terrorists Le Chiffre is supporting. But maybe that is for a future film.

The key thing that comes across is the attempt to get back to the Ian Fleming books. Although it is no longer set in the Cold War, the stripped down story and more restrained style certainly harks back to the earlier and more faithful Bond films like Dr No and From Russia With Love. Bond here is very different from the smooth charmer as portrayed by Roger Moore or Pierce Brosnan and instead comes across as an assassin struggling to keep up in a dangerous world. There is no Q around to supply him with gadgets or Moneypenny to flirt with back at the office. But this is all for the good. Not only does it work as a satisfying thriller but also reminds you of the best elements of the franchise. In going back to the original Bond novel, the films have taken a bold step forward.

> Official site
> Check out show times for Casino Royale via Google
> Check out some reviews of the film at Metacritic
> James Bond at Wikipedia
> Cinematical have all the trailers to the Bond films on one page

Categories
Trailers

The Simpsons Movie – Trailer

Here is the latest teaser trailer for The Simpsons movie. It is out in July next year.

[youtube]8zhkkiSo7Xk[/youtube]