N.B. Note Tarantino’s comments towards the end which highlight the decline in the quality of De Niro’s choices during the 1980s which only got worse in recent years with appearances in The Adventures of Rocky and Bullwinkle, Meet The Fockers and Righteous Kill. There is also a moment where he anticipates the team up of Pacino and De Niro in Heat.
It is fascinating because Lamb always asks the direct questions, which – when applied to Mossberg’s career – reveal a fascinating period of technological change.
It is the 40th Anniversary of the Apollo 11 Moon Landings today and here are some videos to commemorate the event.
A brief introductory snapshot:
This is NASA footage of the launch on July 16th, 1969:
This is when Neil Armstrong made ‘one giant leap for mankind’:
Buzz Aldrin becomes the 2nd man on the moon:
A montage:
Slate have done a clever job of using contemporary news footage (especially of last year’s US election) to imagine how news media would cover a moon landing today:
In the aftermath of last week’s Champions League final last Wednesday, it was revealed that Barcelona coach Pep Guardiola had showed his players an inspirational video ten minutes before kick-off to get them in the mood for their now famous 2-0 victory.
According to reports, the film moved several of the players to tears and has been hailed as a masterstroke by the rookie manager who doesn’t actually appear in the movie.
Although given how dominant Manchester United were in the opening 10 minutes, maybe it took a while to sink in.
Last night it was shown on Catalonia’s public television channel TV3.
However, this footage of Herzog playing back an audio tape from the set of Aguirre, Wrath of God is fascinating precisely because we don’t see the manic, bulging intensity of Kinski’s face.
For those who haven’t seen them, Lesley Blank’s Burden of Dreams (a documentary about the making of Fizcarraldo) and Herzog’s My Best Fiend are essential viewing.
Part of me rolls my eyes at yet another ‘new media’ debate as the new in ‘new media’ is actually a bit old, but this did contain some nuggets of interest.
Anne Thompson shot a bit of footage at the beginning:
Then Jeff Wells shot the following two sections, which I’m guessing pick up somewhere around the middle until the end.
There are a few points raised here that are worth chewing over.
News Speed: Sharon Waxman seems to think the days of long form pieces are over, but I don’t think this is the case. For sites like hers, which wants to be all over the latest breaking news, speed is of the essence. But only part of your audience is interested in that – there is still room for longer, more reflective articles which take more time to prepare. Karina’s point about ‘drowning in noise’ from too many articles is a good one. There is too much duplication amongst movie blogs (and I guess other sites too) but more posts equals more page views, so I’m guessing the trend will carry on.
Trade Journalism: Sharon launched The Wrap back in January as a kind of rival to Variety (the biggest movie trade journal), Deadline Hollywood Daily (an influential blog by Nikki Finke that regularly breaks Hollywood news to the point where Variety were reportedly thinking of buying it) and MovieCityNews (a movie news hub with daily links and blogs). The idea, I think, is a good one and although I don’t tend to visit it that much at the moment, it has the potential to grow and certainly become a rival to the trades if the creators play their cards right. I had a feeling someone would bring up that fake Avatar trailer business (and James did), which for the unenlightened was when the wrap posted a trailer for the new James Cameron movie that wasn’t in fact the real thing but a fan made one. But Sharon’s response was right – own up, admit mistake and move one. When you are posting a lot of daily stories, mistakes will happen – the important thing is to have an honest and open corrections policy.
On this wrapping up segment, things get a little more serious as the wider future of journalism is discussed.
People Are Not Paying For News: John Horn brings up this point that has been raised many times before but never satisfactorily answered (maybe there just isn’t an answer yet). When you apply it to current affairs and the whole news ecosystem it is a scary thought. Will ‘serious news’ as we have known it just wither and be propped by publicly funded organisations (e.g. BBC) or trusts (e.g. The Guardian). Obviously the ongoing financial crisis makes it all worse, but when (if?) that goes away, what sort of media landscape are we really looking at in 5-10 years time?
The Costs of Print: Anne points out that the inefficiencies of print (cutting down trees, squirting ink on papers and shipping them around the country on trucks) can be replaced by a new demand for online journalism. I broadly agree, but an age where efficient websites have actually replaced inefficient print publications still (even now) seems like a tempting mirage in the desert – it’s visible but somehow a long way off.
New Models and Smaller Institutions: Sharon’s idea that journalists have to pool their talents and assets to create new models is a good one, but for a generation raised in the old analogue system (if we can call it that) it isn’t so easy to change and adapt to a new one that is still in a state of flux. However, the idea that smaller organisations tight on costs will replace bigger and more inefficient ones is probably correct in the long term.
The main thing that struck me about these discussions is that we have finally reached the point where we can actually see the end of print newspapers.
That’s because titles like the Rocky Mountain News and Seattle PI have actually closed their print operations (although both still have websites) and heavyweights like the LA Times and New York Times are in dire financial trouble.
Although I tend towards the view that print newspapers dying out is part of an evolutionary economic process, this video about the closure of the aforementioned Rocky Mountain News made me really sad.
Film journalism is just one slice of a larger media pie, but the issues remain the same.
From my perspective things look incredibly bleak for mainstream outlets and only slightly less alarming for smaller, more independent operators.
On a final note, given that the event was moderated by indieWIRE at the American Pavillion (the hub of US activity at Cannes), why wasn’t there official audio and/or video of this on either of their sites?
Am I missing something?
Props must go again to Jeff Wells, who has audio of the whole event which can be downloaded as an MP3 here.
However, in my post-South Bank Show funk I did come across a 1992 interview John Cleese did with Goldman that was broadcast on BBC Radio Five (or Radio 5 as it was called back then) in 1992.
Both are filled with profound observations and juicy anecdotes about creating stories for the big screen and manage to avoid the usual I-did-this-and-they-did-that crap of certain memoirs.