{"id":13461,"date":"2011-11-12T23:03:01","date_gmt":"2011-11-12T23:03:01","guid":{"rendered":"http:\/\/www.filmdetail.com\/?p=13461"},"modified":"2011-11-13T14:31:02","modified_gmt":"2011-11-13T14:31:02","slug":"hollywood-conversations-with-mike-figgis","status":"publish","type":"post","link":"https:\/\/www.filmdetail.com\/2011\/11\/12\/hollywood-conversations-with-mike-figgis\/","title":{"rendered":"Hollywood Conversations with Mike Figgis"},"content":{"rendered":"
Back in 1998 Mike Figgis<\/a><\/strong> recorded a series of interviews with actors, director and producers.<\/p>\n It was primarily for Part 10<\/a> of the Faber Projections<\/a> series, which was published in 1999.<\/p>\n I’d read the book when it came out but now Figgis has uploaded videos of the original interviews to his Vimeo channel<\/a>, which were first shown on Film Four in 1999 (before it became Film4<\/a>).<\/p>\n Most were conducted in his office on the Sony Pictures lot and featured candid and often fascinating conversations about the film industry with some key players.<\/p>\n Part of what’s intriguing about them is to consider how much things have (or have not) changed since then.<\/p>\n Click on the following links to view them on Vimeo:<\/p>\n > Mike Figgis at IMDb<\/a>, Wikipedia<\/a> and Vimeo<\/a> Video interviews Mike Figgis recorded back in 1998 with various actors, director and producers.<\/p>\n","protected":false},"author":1,"featured_media":13462,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[2316,2318,1720,2317,1719,1833,346,1701],"_links":{"self":[{"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/posts\/13461"}],"collection":[{"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/comments?post=13461"}],"version-history":[{"count":0,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/posts\/13461\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/media\/13462"}],"wp:attachment":[{"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/media?parent=13461"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/categories?post=13461"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.filmdetail.com\/wp-json\/wp\/v2\/tags?post=13461"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}<\/a><\/p>\n
\n
\n> Buy the book at Amazon<\/a>
\n> Read his book on Digital Filmmaking at Google Books<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"