{"id":1803,"date":"2008-05-25T19:22:17","date_gmt":"2008-05-25T18:22:17","guid":{"rendered":"http:\/\/www.filmdetail.com\/?p=1803"},"modified":"2008-05-26T16:23:49","modified_gmt":"2008-05-26T15:23:49","slug":"cannes-2008-the-class-is-the-palme-dor-winner","status":"publish","type":"post","link":"https:\/\/www.filmdetail.com\/2008\/05\/25\/cannes-2008-the-class-is-the-palme-dor-winner\/","title":{"rendered":"Cannes 2008: The Class wins the Palme d’Or"},"content":{"rendered":"
The winner of this year’s Palme d’Or<\/a> at the Cannes Film Festival<\/a> is The Class<\/strong><\/a> (the French title is ‘Entre les Murs’).<\/p>\n In typical Cannes style, the favoured films (Waltz with Bashir<\/a>, Che<\/a>, Gomorrah<\/a>) lost out to an underdog and this is also the first time since 1987 that a French film (Maurice Pialat’s Under the Sun of Satan<\/strong><\/a>, in case you were wondering) has won the top prize at Cannes.<\/p>\n Directed by Laurent Cantet<\/a>, it is the story of a teacher in a tough Paris school based on an autobiographical novel by Francois Begaudeau<\/a> (who plays himself in the film) about his life as a young teacher.<\/p>\n Sean Penn<\/a>, as head of the nine-member jury, said:<\/p>\n It is an amazing, amazing film. It was our second unanimous decision.<\/p><\/blockquote>\n Here are some critical reactions to the film, which screened quite late in the festival.<\/p>\n Justin Chang of Variety <\/strong>thought it was substantive and entertaining<\/a>:<\/p>\n Talky in the best sense, the film exhilarates with its lively, authentic classroom banter while its emotional undercurrents build steadily but almost imperceptibly over a swift 129 minutes.<\/p>\n One of the most substantive and purely entertaining movies in competition at Cannes this year, it will further cement Cantet’s sterling reputation among discerning arthouse auds in France and overseas.<\/p><\/blockquote>\n A.O. Scott of the New York Times <\/strong>praises the ‘freshness and precision’<\/a>:<\/p>\n The film, Mr. Cantet\u2019s fourth feature, concerns a young teacher dealing with a tough class in an urban high school.<\/p>\n It\u2019s hardly a new idea for a movie \u2014 from \u201cTo Sir With Love\u201d to \u201cDangerous Minds\u201d and beyond, Hollywood has always had a soft spot for melodramas of pedagogical heroism \u2014 but Mr. Cantet attacks it with freshness and precision, and without a trace of sentimentality.<\/p><\/blockquote>\n Mike Goodridge of Screen Daily <\/strong>says it offers a ‘rich microcosm’ of today’s French society<\/a>:<\/p>\n The film focuses tightly on the dynamics and concerns of the classroom, never straying into details of the lives of kids or adults outside.<\/p>\n Yet even though it takes place entirely “entre les murs”, it offers a rich microcosm of today’s multi-ethnic French population and fascinating insights into the complicated dil emma s and misunderstandings which teaching \u2013 and indeed learning \u2013 can entail.<\/p><\/blockquote>\n<\/a><\/p>\n