{"id":9009,"date":"2010-09-05T19:56:42","date_gmt":"2010-09-05T18:56:42","guid":{"rendered":"http:\/\/www.filmdetail.com\/?p=9009"},"modified":"2010-09-05T19:56:42","modified_gmt":"2010-09-05T18:56:42","slug":"john-bailey-on-shooting-days-of-heaven","status":"publish","type":"post","link":"https:\/\/www.filmdetail.com\/2010\/09\/05\/john-bailey-on-shooting-days-of-heaven\/","title":{"rendered":"John Bailey on shooting Days of Heaven"},"content":{"rendered":"
Terence Malick’s Days of Heaven<\/a><\/strong> (1978) is one of the most visually stunning films ever made, a poetic tale of a couple (Richard Gere and Brooke Adams) who migrate to the Texas panhandle in order to work for a farmer (Sam Shepherd) in 1910.<\/p>\n Beautifully shot by Nestor Almendros<\/a>, it is famous for its cinematopgraphy, especially the way in which it captures the magic hour between dusk and dawn.<\/p>\n In this video cinematographer John Bailey<\/a>, who served as a camera operator on the film, sheds some light on how Alemendros and Malick managed to give the film its unique look.<\/p>\n<\/a><\/p>\n